Music, dance and performance

Corn, Aaron & Marcia Langton (2018) A Post-mortem of a Pulped Book: Making Sense of the Missed Opportunities of ‘Deadly Woman Blues’, Musicology Australia, 40:1, 63-72, DOI: 10.1080/08145857.2018.1486162

Dreyfus, Kay. “Alma Moodie and the Landscape of Giftedness.” Australasian Music Research, no. 7 (January 2003): 1–14.

Dreyfus, Kay. Sweethearts of Rhythm: the Story of Australia’s All Girls Bands and Orchestras to the End of the Second World War. Sydney: Currency Press, 1999.

Harris, Amanda. “Pan-Indigenous Encounter in the 1950s: ‘Ethnic Dancer’ Beth Dean.” Australian Historical Studies 48, no. 3 (July 3, 2017): 328–45.

Haskins, Victoria. “Dancing in the Dust: A Gendered History of Indigenising Australian Cultural Identity.” In Intersections: Gender, Race and Ethnicity in Australasian Studies, edited by Margaret Allen and R.K. Dhawan, 55-75. New Delhi: Prestige Books, 2007.

Haskins, Victoria. “Beth Dean and the Transnational Circulation of Aboriginal Dance Culture: Gender, Authority and C. P. Mountford.” In Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media, edited by Amanda Harris, 19-44. Canberra: ANU Press, 2014.

Hunter, Kathryn. “Aboriginal Women in Australia’s Traveling Shows, 1930s–1950s: Shadows and Suggestions.” Journal of Women’s History 26, no. 4 (2014): 37-59.

Macarthur, Sally. (2007), ‘Women, Spirituality, Landscape: The Music of Anne Boyd, Sarah Hopkins and Moya Henderson’, The Soundscapes of Australia: Music, Place and Spirituality, Ashgate

Macarthur, Sally, Dawn Bennett, Talisha Goh, Sophie Hennekam & Cat Hope (2017), ‘The rise and fall, and the rise (again) of feminist research in music: ‘what goes around comes around”, Musicology Australia, vol 39, no 2 , pp 73 – 95.

Murphy, Kerry (2011) Melba’s Paris Debut: Another White Voice?, Musicology Australia, 33:1, 3-13, DOI: 10.1080/08145857.2011.576644

Robinson, Suzanne 2015. “‘Life’s Major Crossroads’: Study and Career Paths of Four Australian Women Composers at the Royal College of Music in the 1930s.” Musicology Australia 37, no. 2: 167-184. doi:10.1080/08145857.2015.1057919

Robinson, Suzanne 2019. Peggy Glanville-Hicks Composer and Critic.University of Illinois Press. doi:10.5406/j.ctvkjb3mb

Robinson, Suzanne (2020). Heroines and their “moments of folly”: Reflections on writing the biography of a woman composer. Australian Journal of Biography and History, (3), 21–38.

Sarwal, Amit. “Louise Lightfoot and Rajkumar Priyagopal Singh: The First Manipuri Dance Tour of Australia, 1951.” South Asian Popular Culture 12, no. 2 (2014): 89-110.

Scott-Maxwell, Aline. “Gendered and Endangered Musical Artefacts: Owner-Bound Popular Sheet-Music Albums in Jazz-Age Australasia.” Musicology Australia 37, no. 2 (2015/07/03 2015): 185-98.

van Rij, Inge. ““Votes and Notes”: Exhibiting and Contesting Gender in the Orchestra of the New Zealand and South Seas Exhibition (1889–1890).” Women and Music: A Journal of Gender and Culture, vol. 21, 2017, p. 3-42. doi:10.1353/wam.2017.0002.